It’s trying to show you those failures from a very human place. The director continues: “At the same time it’s not blind to his failings as a human. So it’s surprising when Dominik describes the film as “very much sympathetic to. It zeroes in on Chopper and his Chopperisms, delivering quotable lines aplenty (“Do I look like Mark Brandon ‘Medicare’ Read?”) without OKing his actions. It’s deep, dramatic and sophisticated, deftly fusing together facts and myths. The 2018 miniseries Underbelly Files: Chopper was a sobering reminder of what not to do, with its crudely simplistic backstory and its suggestions that Read – seen kissing a baby at one point – was a helluva great guy if only you got to know him. Probably about four or seven, depending on how you look at it.” Read once told the New York Times: “Look, honestly, I haven’t killed that many people. Some people claim Chopper got his nickname because he cut off his own ears others attribute it “to his habit of cutting off his victims’ toes using bolt cutters”. Guardian Australia’s obituary of Read, who died in 2013, details a difficult, crime-filled life that involved many arrests (one for kidnapping a judge, for which he was sentenced to 17 years). An even trickier similar dilemma was faced, in different ways, by the 2018 film Acute Misfortune (about the artist Adam Cullen), and the forthcoming Martin Bryant biopic Nitram: how to depict the personality of difficult, toxic and even lethal men without glamourising their behaviour.
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